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New Reviews
Giles - Dancing With Dolores

It's a brave thing to do, starting an album with a slow blues, but
if anyone was going to be up to the challenge, then it was going
to be Giles. Purveyors ogf one of last years surprise treates in
the shape of "Blue Funk", they've come up trumps again.
Across ten originals and four well chosen covers - "Freedom"
by Richie havens, "Gypsy Eyes" by Jimi Hendrix, "Nutbush
City Limits" by Ike & Tina Turner and "Bird On The
Wire" by Leonard Cohen - well, three well chosen covers and
a Leonard Cohen song - they ably demonstrate why I was so smitten
last time around.
Whether it's the strut of "Fallen Angel", the Santana
blitz of "Freedom" or the dense electric blues of "That's
Why", Giles hit most of the marks most of the time. Granted,
there's a bit of a lull in the middle before the shuffle of "Just
A Shell" picks things up again, but it's a minor quibble.
Giles have pulled another rabbit out of the hat, skipping merrily
across blues, funk and soul to deliver a delightful reacquaintance.

Zoe Chilco - Up The Highway
A double album, 28 songs long, from a singer you've probably never
heard of. I can see you sidling towards the door already. If I tell
you that the album is split into 2 halfs - "Blues Boulevard"
and "Jazz Junction", will that help? Thought not. It is
quite daunting when you consider the number of singers out there
that you already like, and who don't release double albums. Me,
I'm a Side 1, Side 2, ten tracks man, but in the interests of public
service I dived in anyway.
If I had to choose between blues and jazz, then the blues would
win every time, and so it was that "Blues Boulevard" found
its way to the ceedee player first. Zoe has a rich, deep voice well
suited to the slow blues style she favours. With a couple of exceptions
the self-penned material follows the same pattern which leave syou
looking for vocal and musical nuances to make a song stand out.
Which favours "If I Want You", "Huis Clos / No Exit",
the bouncy "Save My Soul" and the unaccompanied "My
Dreaming Life".
Over on "Jazz Junction" and another 14 self-penned songs,
which kick off with the sprightly jump 'n' jive of the title track.
It's the trio format material that works best here, when Zoe is
joined only by piano and bass with "True Blue" and "Cycling"
my favoured tracks.

Robin Trower - Living Out of Time
(live)

It's amazing to think that Robin Trower celebrated his 60th birthday
with this stunning live release on Ruf Records. Starting off with
The Paramounts I am forever indebted to Robin for many hours of
pleasure listening to his solo on 'Repent Walpurgis' from the first
Procol Harum album. At that time his guitar work embellished songs
written exclusively by Gary Brooker and Keith Reid at times elevating
them to new levels. It was not until the 'A Salty Dog' album that
he started to write contributing 3 songs including 'Juicy John Pink'
which would give an indication of the blues direction he would soon
head in. Robin continued to develop as a writer with 'Whisky Train'
off 1970's 'Home' a particularly good example. His fascination was
not only with the blues but very much with Jimi Hendrix and 'Song
For A Dreamer' on 'Broken Barricades' was a fitting tribute signalling
a parting of the ways. He set up his own band Jude but that was
short-lived then released a series of albums from 1973 to 1982 the
most successful of which was 'Bridge of Sighs.
' I have to say that the lengthy live version of this number is
brilliant and a track I've returned to many times over the past
week. The band Davey Pattison (vox), Dave Bronze (bass) and Pete
Thomson (drums) really do it justice and I can't believe how good
the recording is. Listen through headphones-LOUD! Needless to say
the 'Bridge of Sighs' album provides quite a few live cuts like
'Too Rolling Stoned', a song that has become a classic in its own
right. I reacquainted myself with some great memories from the solo
Trower catalogue and also made some new acquaintances with songs
I hadn't heard before. The sound of a Fender Strat has seldom been
better heard than on 'Living Out of Time' live. Those who witnessed
the event at the Rockpalast Crossroads Festival in Bonn were very
fortunate indeed!

(Reviewed by Phil Jackson for Zeitgeist)
Omar & The Howlers - Bamboozled
(Live in Germany)

I was impressed when I heard my first recording by Omar and the
Howlers ('Boogie Man') and am certainly not disappointed by this
CD as Kent Dykes aka Omar 'howls' his way through 74 minutes of
pulsating, inspired blues. Actually 'howling' is a rather unkind
self deprecation as Kent has a deep throaty drawl (perfectly mimicked
by some of his guitar sounds) ideally suited to his powerful and
authentic evocation of classic blues Texas style.
After a stirring warm-up 'Shake For Me' it's no messin' straight
into the Creedence Clearwater blues boogie shuffle of 'Mississippi
Hoo Doo Man' and the rousing 12 bar 'Bamboozled' (Sounds like an
all time classic to me!) The pace relents on the slow visceral impact
of 'East Side Blues' as Kent runs his fingers up and down the fretboard
to audible gasps of appreciation from an appreciative audience.
When he sings 'You're mean and you're evil' you just don't argue
with the guy! A 'Not Fade Away' rhythm is used for 'Magic Man' which
includes the wonderful throwaway line 'Long ago and far away I was
born on my birthday!' There's an instrumental 'South Congress Blues'
that demonstrates the warm intensity of the artist and a poignant
delivery of the title track of his 'Muddy Springs Road' album dedicated
to the memory of his wife Lynette Leah, as is the whole live set.
'Do you believe it?' screams Kent in the classic encore 'Rock 'n'
Roll Ball'.
I was delighted to reacquaint myself with the songs from 'Boogie
Man' and some impressive blues boogie I hadn't previously heard
like 'Hard Times in the Land of Plenty' and 'Monkey Land' (More
at the 'Run Through The Jungle' boogie end of the spectrum). This
man certainly knows his stuff and The Howlers (Barry Bihm and Jon
Hahn) provide able backing. Any serious blues aficionado should
add 'Bamboozled' to their collection without delay!

(Reviewed by Phil Jackson for Zeitgeist)
Census Of Hallucinations - Apparitions
(4 CD set)

The first thing that strikes you about this collection is the sound:
a brilliant palette of sound coloration that breathes new life into
music already familiar but never quite as vividly realised before.
Let's start with CD3 (Why not?), a good starting point for those
unfamiliar with CoH music :two of their most immediate and renowned
songs 'Orion' and 'The Moon' followed by two songs that are stylistically
very different, and might be loosely described as 'disco soul funk
without the inane lyrics' (Does that make sense? Probably not!)
Chunky acoustic guitar drives the barbed political commentary of
(If at first you don't succeed) 'Lie Again' admitting that 'there
does not seem to be a solution' as the world has gone irredeemably
astray. Despite the fatalism CoH music is oddly uplifting and always
delivered with a wry humour and candid lyricism that certainly hits
the target but may be a little 'OTT' for some. That would be a pity
because not to open your mind to this is to miss out a quite extraordinary
musical journey through life's 'discomfort zone'. Anyway, another
thing is to always expect the unexpected. A whiplash, a quotation
from 'they're coming to take you away HA!HA!', 'raspberries', acerbic
insolent 'one liners' litter the music ate periodic intervals. A
title like 'General Erection' tells its own story and uses a jazz
funk approach that Frank Zappa would surely approve of. 'Merlin…You
Left Your Hat On' is accompanied by a very clever video on the Pet
Hippy website as we are reminded that science doesn't have all the
answers. 'What about the things you can't see?' Quite! 'Gardez loo'
(shouted before rubbish and excrement were thrown out of windows
in pre sanitation days) introduces the delicious folk rock of 'Ignorance
Insane', a splendid song boasts a chorus that reminded me of Tom
Petty for some unfathomable reason. Guitarist/ singer/ songwriter
Tim Jones is at his finest on 'Hard World' ably accompanied vocally
by 'fellow conspirator' Terri B (Only joking!), Tim's guitar arpeggios
perfectly deliver the message musically. There are more gems to
come on this CD: the lovely reflective 'To Prodigal's Guide' and
the 'disco stomp' (Not really!) of 'Daydream in the Slipstream'
with more fine guitar from Tim.
To me CD 1 held together thematically in a way unsurpassed by the
others which could get rather disparate and fragmented and lot to
take in for the newcomer! There are only seven tracks on CD1 (Over
40 minutes of music) including some of my personal favourites like
'The Sun is Rising' and 'Sunshine Through Autumn Leaves' a song
that has grown in stature enhanced by the superior sound quality.
There was also a nice reminder of the late Tony Morland's lyrical
contribution to the band in 'Mazed and Mystified' and 'The Sun is
Rising'. The incisive, at times acerbic commentary is punctuated
nicely by 'Opening the Trapdoor to Outer Space' a classic example
of space electronica. I was less familiar with the concluding track
'Where?' an invigorating reggae/ska concoction I couldn't quite
place.
Disc 2 didn't work as well as 1 for me as there is more emphasis
on experimentation and less on substantial pieces of music. Having
said that the fluid guitar of the remarkable 'Love is the Answer'
and the hypnotic Hillage like guitar echo of 'Integration' (Would
this have benefited from editing I wonder?) as well as the moving
anti-war sentiments in '55000 Airmen' are worth the admission alone.
My favourite piece on the side though (and one of my all time CoH
favourites) is the awesome 7 minute 'My God It's Full of Stars'
with sax joining the guitar.
Census of Hallucinations is ever eclectic and this is nowhere better
demonstrated than the range of styles on CD4. Big questions are
always asked: Where do you go when you sleep? What is the grand
design? Whatever your perspective the lyrics and commentary will
really get you thinking. On more earthly matters titles like 'Weapons
of Mass Deception' tell you what to expect. Musically there are
many variations: from the folk chant of 'External Internal Development'
to the bluesy 'Manifest Your Magick' and a wonderful new song 'The
Gremlin Song' containing a fine guitar riff and solo that will appeal
to all you 'head bangers' out there.
So if you're looking for something challenging and different look
no further than 'Apparitions'. Inevitably trying to put so much
music together it's difficult to keep the momentum going but there
is enough thought provoking stuff in this musical compendium to
satisfy the most demanding of listeners. Recommended.
(Reviewed by Phil Jackson for Zeitgeist)
Root Deco - This Island Earth
Root Deco has never sounded better on this re-mastered compilation
on Pet Hippy Productions. Although called 'This Island Earth' with
an implied concept on the sleeve the music is in fact taken from
their first two albums 'Dragon Rings A Bell' and 'We Come In Peace'
introduced by a stirring new opener in 'Arise'. 'Subway To Paradise'
actually closed the 'Dragon' CD and would be selling in bucket loads
if performed by a more, shall we say, fashionable artist (ie. One
with lots of money behind them!) The irresistibly catchy 'Eyes In
The Back in My Head' has a more serious subject matter that its
infectiousness and immediacy might suggest while there is a touch
of humorous blues in 'Stretch' (Larry Vilchek likes to add the occasional
harmonica to his stunning multi-tracked guitar work). New songs
like 'Little Black Book' sit comfortably with the old and Root Deco
have forged a unique sound that sounds familiar and yet is hard
to place combining perhaps the accessibility of a Big Country with
the raucousness of a High Tide! Yes they are heavy at times but
never lose sight of a good melody! My only reservation is that personal
favourite 'Shallow Man' is not included!

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