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Zeitgeist - Reflections Of The Underground

BLACK LABEL SOCIETY

RANDOM TOUCH
WHITESNAKE
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RANDOM TOUCH - Hammering On Moonlight

Lumme, better put on my smarthead today, as the biography says "they are tougher than Radiohead, less structured than King Crimson, less spacey and more angular than Miles Davis' Bitches Brew". Won't be getting the party started then. Chuck in some Zappa and Eno, and you've got a fair idea of what this sounds like.

Album number 3 under the Random Touch moniker and it's electronic avante-garde ahoy what with quotes from Jung on the sleevenotes (Carl not Angus). This is certainly unique in it's execution and a bold experiment in forgeing a new form of musical expression.

There are a couple of choons which almost follow a linear structure, but mainly this is a carefully plotted throw everything at the wall and see what sticks approach to music. There are constant changes in sound and mood, never allowing you, the listener, to get comfortable. If the Jung quote is correct, I wanna tell you a story about a woman I know, or rather "The creation of something new is not accompanied by the intellect but by the instinct acting from inner necessity", then they are acting from the heart not the mind, and that is to be applauded.

I don't know how often you'd want to play this, but you won't be unaffected by the experience.

http://www.randomtouch.com.

Reviewed by Phil Jackson

BLACK LABEL SOCIETY - The Blessed Hellride (Spitfire)

After several hunnerd years serving in the frontline of the rock wars, it takes a lot to get me salivating (Sandra excepted), and even more to get me pre-ordering albums, but so it proved to be when a release date for the new Zakk Wylde album was announced.

Standing alone, loud and proud beating off the hordes of nu-metal wannabees armed with some monster riffs and a few blast beats, Mr Wylde remains a beacon of all that is good in the world of heavy rock. Without a bad record to his (own) name, it remains a wonder why his employer, Sir Ozzy of Osbourne remains immune to recording a whole album of zakkchoons. Well, to be fair, we know why, don't we Sharon.

And on "Stillborn" we actually get to hear the patented Oswald wail on a Zakk release for the first time. And lo, it was good. Not that the Wylde one is any slouch in the vocal department, sounding more like his boss than ever before. Must be an age thing. Why I remember when we first saw Zakk Junior back in the day, not a minute over 12 years old. And look at him now, a less purty version of me. Although I couldn't compose and perform the greatest Black Sabbath song never to be a Black Sabbath song, "Suffering Overdue", the kind of song that makes the beer bell yquiver with joy.

Lyrically, we're in very dark place, and the whole feel is very conceptual, without getting all artsy on my ass. Also good to see Zakks Southern roots still showing on "The Blessed Hellride" itself. An early contender for rock album of the year. Oh yes. Now to start counting the days until the "Boozed, Broozed & Broken Boned" DVD!

www.zakkwylde.com

www.blacklabelsociety.net

WHITESNAKE - Best Of / Here I Go Again:The Collection

So, the Monsters Of Rock draws near, Whitesnake are sliding it one last time, and we have a UK best of and a US best of. What to do. First of all, we slate the truly appalling UK single CD Best Of, for it's dreadful design, cheap booklet (if you can deign to give it that title), and lamentable sleeve notes. The budget must have gone on the TV slots. On the up side, it does include the late, great UK lineup from the early eighties, a time when my world was ruled by Mr Coverdales mixed up world of religious metaphors and double entendres. Although it would have been nice to acknowledge the world before "Fool For Your Loving" and how can any release call itself Best Of with no "Walking In The Shadow Of The Blues"? WIth 17 tracks you could have dumped "Standing In The Shadow".

Over the Atlantic Ocean and we get a 2CD 35 track, lovingly compiled, beautifully illustrated and coherent booklet, unfortunately drawn from the turgid Geffen years. Which means all shine, no spit. Apart from the early cleaned up turds from "Slide It In" and the positively glowing later era moments of "Now You're Gone" and "The Deeper The Love". Sadly, no Coverdale Page, no "Restless Heart" or "Starkers In Tokyo", and most tragically, no "Into The LIght", Mr Coverdales finest moment. And yes I know it was a solo album.

So what we need is the bloke who compiled the US version to do the same for a UK release covering 1977 - 2001 including solo and side projects (apart from "Days Of Thunder", ouch). What's that you say? There are plans afoot to do just that later in the year. So what the hell is this for? Oh, yes the obligatory tour tie-in.

Musically, the UK version wins hands down, but you may want to hold fire for that comprehensive Silver Anniversary anthology.

 

 

 


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