Peter
Cooper - Magic
So
I'm sent a CDR with no details apart from a hand written
name and title. Makes life more interesting I suppose.
Bastards. So let's assume for the moment that it's musician
Peter Cooper from the internet, rather than Peter Cooper
postman from Poole.
If
it is, then this a remarkably good release, considering
the chances of it gettin gplayed were close to zero. If
ye olde internette is correct, then this is Mr Coopers
3rd release, and with tracks as stonking as "Comforting
The Dead", I'm surprised the name is not better known.
It's full on seventies guitar rock, which is fine by me.
And his bio is so quotable "There was this huge organ
in our house and I would go up and climb this thing.."
No matron ,really. The ladies will thrill to know that
he was approached by Playgirl magazine to model (he turned
them down), and has done other part-time modeling work
on websites and layouts.
When
that guitar wails Randy Hansen sits up from his velvet
encase coffin and looks around going, "hey baby,
thats my vibe". Get in my big black car and ride
my skee diddly bop until it drops. Me likey. Especially
the Randy Rhoads cops. Nice axe. "Take The Wheel"
goes the way of Satriani, Joe and grooves grooves grooves.
A brave take on "Stormy Monday", although it's
no gruntin gregg.
Website
for music (and pictures for the ladies, and of course,
some of the gentlemen)
ACADEMY
MORTICIANS - What Happened?
Several
hunnerd years in the making, having wandered round a gazillion
record labels, the Academy Morticians finally see the
light of day via Iron Man/Who Killed Culture? Was it worth
the wait? Well yes, if politically charged indie punk
straight out of the Buzzcocks takes your fancy.
And
they are very good, with the highlights being "This
Is What Democracy Looks Like" and "Welcome To
England (registered trademark)". Probably more relevant
than at any time since the benign tyranny of La Thatcher,
the kids will probably need the poppy hooks to suck them
away from the lifeless Blink 182 to wrap their ignorant
little ears around melodic diatribes against capitalism,
the destruction of the earth and globalisation.
It
also sounds marvellous, no doubt helped by being recorded
by Paul Siddens and Mitch "Napalm Death" Harris.
Not since the summer of '77 (insert hoary old memory from
fat middle classs bastard here).
THE PROJECT - So Little Time
Straight
out of Glasgae, The Project have been together for 5 years,
drawing on such influences as The Doors, The Kinks, Pink
Floyd & Guns 'N' Roses, although there is little evidence
of the latter in their progtastic melodic demo EP.
"The
Girl" kicks things off in mellow, balladic fashion,
coming all Twelfth Night on your ass before the arrival
of "Chaos" which lived up to its name, skipping
like buggery before launching into cyperspace in a frantic
finale. "The Clockwatcher" is the least of the
tracks which suffers from poor percussion.
Well
worth checking out, and with the burgeoning underground
progscene in the UK, they ought to make more of that in
their approach to publicity.
MICAWBA - Linear
Blimey,
this is a bit good. Slabs of psychedelic influenced guitar
rock, with the merest nuance of early Verve (that is to
say when they were The Verve and not shite.) OOdles of
top pop tunes that could easily give the Coldplays a run
for their money in the Top Pop Forty game, but without
1000 times the character.
Where
to begin? "Persistence" - played on Radio 1,
and released as a single, should have been huge. "In
Another Lifetime" - Swathed in strings (well a cello
and a violin), dark and acoustic, and a leetle beet scary.
"The End" - smacks of the 1960s sound that Robert
Plant thinks existed, but which didn't. In fact, Mr Plant,
get this lot out on tour with you. I'd pay to see that.
"My Escape" - aack. Kiss drum intro, bowel inducing
bass riff, festival crowds swaying to the flavour of cheap
beer. Mama I'm coming home.
Und
so weiter. This is a truly fabulous release, and I strongly
expect it to feature rather largely in my 2003 best of
thingy, assuming we're all still here. And is that ex
Tyger of Pan Tang Fred Purser on part production? We should
be told!
Zeitgeist,
PO Box 13499, Edinburgh EH6 8YL, United Kingdom