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New Reviews
Dave Dill - See You In The Sunshine

Dave Dill has finally done it- produced the album we all know this
exceedingly talented singer, songwriter and multi-instrumentalist
is more than capable of. From the irresistibly infectious opening
song ‘Starting from Zero’ through the extensive Paul
McCartney influence of ‘Hope You Know’ to the seven
minute tour de force ‘Dreams’ there are many pleasant
surprises in store. ‘Light in the Canyon’ and ‘Train
is Leaving’ for example with their unplugged Led Zep kind
of feel are very mature compositions with perfect arrangements while
‘See You In The Sunshine’ is another catchy song that
will linger long in the memory. The multi-tracked vocals of ‘You
Know’ reminded me of the feel on Wings ‘Band on the
Run’ album while the Beatles influence is once again obvious
on the 6 minute closer ‘Further Up, Further In’. The
astonishing thing is how fresh all the music feels, like rediscovering
some long last classics from the heyday of popular music.
Don’t miss ‘See You in the Sunshine’- not just
for the sake of nostalgia but as an opportunity to hear a solo artist
playing some of the most wonderful music you’re likely to
hear in 2005!
(Reviewed by Phil
Jackson for Zeitgeist)

Peter Lacey - Songs From
A Loft
Peter Lacey’s music is characterised by thoughtful and subtle
arrangements and a distinctive and almost angelic voice, the whole
atmosphere created in tune with the natural and romantic side of
life. He plays most of the instruments himself with John Williams
adding flugelhorn and trumpet on the opener ‘Sandman’
and ‘The Outermost Inn’. The CD starts very reflectively
and the first thing to really grab your ears is the infectious up
tempo number ‘Sunrise’.
‘Curios’ is a lovely ode to time, very poetic containing
some interesting metaphors like ‘a soulless King’ and
‘a heartless thief’ with Peter on guitar accompanied
by Jon Fielder, ex Jade Warrior on keyboards. The ‘lighter
than air’ instrumental cameo ‘The Outermost Inn’
is as enchanting as the bird in flight depicted on the cover. A
wide array of instruments is used on the aptly named ‘Orient
Tear’ as the album comes across as a series of ‘sketches’
pervaded by a magical, mystical quality.
Comparisons with Brian Wilson and the Beach Boys are taken too
far but on the intriguing ‘River Road’ the arrangements
is every bit as meticulous as anything on ‘Pet Sounds’.
There is a curiously poignant song about a certain Wally Thomas
in 1944 with the chilling line ‘Over a tightrope above the
fires of madness’ and there are lots of nice ‘finishing
touches’ on the CD including a haunting string arrangement
by Fielder on ‘The Old Hand’.
‘Songs From A Loft’ would be great music for listening
to sitting by a blazing log fire on a cold winter’s night
and like all Peter Lacey’s music comes highly recommended.
(Reviewed by Phil
Jackson for Zeitgeist)

The White Stripes – Blue Orchid

I was never a fan of the White Stripes. Although I am very taken
with Meg, having had the pleasure of seeing her close up! But musically,
didn’t see what the fuss was. But then I’ve been listening
to Son House for 25 years, so don’t need my blues refried.
However, I like this. “Back In Black” meets Camille-era
Prince over the usual thundering backbeat. Nice. Flipside “Though
I Hear You Calling I Will Not Answer” is another strange little
number, half the Chipmunks, half primary school xylophone, but all
coming together in Led Zep III style.
Good work, and if it gets one person to track down the 1930 recording
of “John The Revelator” by Blind Willie Johnson, then
a greater purpose has been realised.
Roy Harper – The Death Of God

It’s been too long since I was able to buy a new Roy Harper
record. I mean I’m happy to buy reissues, compilations and
assorted doodles, but there is nothing quite like a great Roy Harper
song. And this is a beauty. As the man himself says;
“Tongue in cheek? But how can it be? Our famous leader took
us into an illegal war and killed thousands of children. Was that
cool? Or was it all just a myth? Can he now lie to you about the
economy, schools, hospitals, human rights and everything else? Of
course he can. He's done it all before. We've all been there before.
Do we have any option? Well... no. Only to vote tactically. Five
separate stories rolled into one. The emigrant, the soldier, the
bomber, the leader, and "God!" Dark satire.. all of it.”
So, Roy gets ripped into Tony Blair fuelled by disgust, augmented
by his usual acerbic voice and classic guitar work, with the help
of a full band.. You get a short version and a long one, and unusually
(for me), the long one is worth the extra minutes piled on. You
get 16 minutes of music for your money as Roy sums up the feelings
of millions in;
Do me a favour
Please don’t patronise
Your war was not fought for my mind
But just for your prize
Started when what was some truth
Got spun into lies
Now all we need is a new Roy album. Please!
Mission Giant – Brotherhood
Of The Plug

Well this is a challenging one, and no mistake. Not one to whap
on the boombox when you’re doing a spot of ironing, Mission
Giant are determined to destroy your preconceptions of rock and
roll with their post rock, art rock and custom-built tone generators.
However, it’s not all mad scientist and strange looking kettles,
for they do have some roots in eighties synth pop, but it’s
all thrown into the huge blender marked ‘improvisation’
to deliver up something that alternates between steamy and clinical.
From the trad rock of "Potential for Future Dynamics"
to the Mogwai like sounds of "Fast Kids Sound Like Seagulls",
it’s apparent that they have no interest in ordinary transitions.
Elswehere they take on Eno and Kraftwerk with equal abandon, pausing
only for the odd Gary Numan melody.
If you’re looking for a soundtrack to an odd fifties science
fiction movie, then this could be the place to start.

Mohodisco – Kaloomith

Basically, a one man band, MohoDisco is the musical outpouring
of Bruce White. Now, don’t be fooled by the name, for this
is no handbags and white stilettos soundtrack, rather an adventurous
and eclectic set of instrumentals, bound to appeal to the Ozric
Tentaclers out there.
In case you were wondering MohoDisco is the abbreviated version
of his original band name, Mohorific Discontinuity, a name guaranteed
to have you reaching for the pain pills. The man himself takes on
guitar, bass and synthesiser duties, roping in anyone who happens
to wander by and look a bit muso like, so there are over a dozen
contributers to this excellent set.
He ranges over a wide set of moods from the Ozrics to late 80s
Genesis to jazz fusion to classic Hawkwind like spacerock without
a blink of an eye, or a drop in quality. However, be warned, there
also traces of System 7 lurking around, something which is fine
by me, but has the traditionalists tearing out skin where their
hair used to be. Although, if you wanted one track to listen to,
it would be “Mystery Falls”, the undoubted highlight
of an excellent release.

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