And now, all the way from the mythical land of New Zealand, laydeez
and genelmum, The Juju Crew! Who are an odd bunch. Not in a cross
the road don't touch me there kind of way, more in a making up their
own rules, none of your business, like it or lump it, kind of way.
Maybe it's the isolation inherent in hailing from a non-existant
country, but the Juju Crew certainly aren't following a well trodden
path.
At first listen their acoustic driven rock seems slightly tame
but when you actually start to hear the addictive rhythms and rhymes
it becomes extremely compelling, full of funky breakdowns, soft
vocals and too many double-barreled names. the lack of volume actually
works in its favour, as you have the space to hear what's going
on. Like the loudest blues band in the world whispering, there's
a lot here to love with "Bipolar", "Square One"
and "Kissed Your..." particularly fine examples of their
art.
If you're looking for something a litle bit different, and are
tired of unicorn hunting, then the Juju crew might be for you.
The Long Blondes - Weekend
Without Makeup
I would ask why, but someone might tell me. For this is a fairly
pointless record. Unless the notion of a poor Siouxsie tribute band
is something that floats your particular boat.
I always try and look for the good in a record, but this just comes
up empty every time. Sorry.
Jen Elliott & Bluestruck - This
Damn Song
We liked the last Jen Elliott release, "The Secret's Out"
round our way, calling it 'a mixture of blues rock and blue eyed
soul with a hint of pop perception' and 'a remarkably assured debut,
and an indicator of a major talent, waiting to be discovered.''
So we're glad to see her back with this 6 track EP, in the company
of a fine band.
Lead off track, "Crazy" is a cracking, fiery blues rock
belter off a number before we amble off into ballad territory for
"Full". Regretably, the sedentary pace is maintained throughout
the rest of the EP, which is a bit of a shame, as a bit of variety
would have shaken things up a bit. Of the slower numbers, "Garden
Of Delight" is the best of the lot, with its off base, killer
melody.
This is a prequel to her 2nd album proper, "8 Days Down",
due later in the year, and it should be one worth looking out for
as long it maintains the sparkle of the debut.
Sameer Ramchandran Trio - Roundabout
The debut CD from pianist Sameer Ramchandran and his fellow travellers
- Dominic Duval on bass and Newman Taylor Baker on drums - is a
sprightly and confident mix of covers and originals.
It's also resolutely old fashioned in its approach to the material
which actually works in its favour, as when the trio jump away from
the melody, there's still a hook to hang your hat on, unlike a lot
of other interpretative performers who seem to regard the tune as
a bit of a nuisance.
There are two outstanding pieces on a solidly enjoyable outing
- "Till There Was You" and a remarkable nine minute foray
into Cole Porters "All Of You".
Rancho Deluxe - same
Hell, yeah! You're not going to go far wrong when JayDee Maness
is playing pedal steel on your debut album. Who, I hear you illiterate
slobs cry? He played on "Sweetheart Of The Rodeo", you
ignorant bandits.
If you're tired and / or lazy, I'll make it easy for you. This
is the best country CD I've heard all year, so click on the link
button below and buy it. The rest of you can read on.
Once you get past the rather unappealing cover, a complete gem
of an album awaits you. The bouncy, depressing "Rock Bottom"
is as fine an opening number as you're likely to hear and, barring
an unpleasant Bob Dylan excursion near the end, Rancho Deluxe serve
up one fabulous original song after another.
Their updated Bakersfield sound is blissful, with the core trio
augmented by some of the best musicians out there. So, if you're
still here, it's your turn to click on the link button. You won't
regret it. Promise..
Anton Barbeau with The Bevis Frond
- King of Missouri
Given my enthusiasm for the music of both artists needless to say
I was looking forward to hearing 'King of Missouri' and I was not
in the least disappointed.
Anton's memorable dodgy rhymes, throwaway lines and wry observations
on life's foibles, pleasures and frustrations conjoin perfectly
with a vintage Frond backing supplied by Nick Saloman, Ade Shaw
and Andy Ward.
Originally released in 2002 this record has been resurrected by
Bongo Beat, Vancouver, Canada with a worthy bonus track, the Beatlish
outtake 'Motor'. The title track gets things off to a strong start,
very radio friendly I would say but packing the old Barbeau punch-
'She's the king of Missouri'- yes, well! The flirty glam rock of
'Sweet Creature, What's Your Name', 'The Clothes I Want To Wear'
a song not about Carnaby Street but about Ant's experiences in the
Clapham Road, London, the Dylanish 'It's OK Maybe' and the direct
'I Don't Like You' featuring a nice little reference to early Beatles
are all highlights. On 'Sylvia Something' Nick Saloman really gets
going in a Santana/ Camel type sequence, a 'full Frondal guitar
sound' (Sorry, I couldn't resist that one!) The Lennonish 'Retabulation'
adopts a more fluid guitar approach with a slow measured solo. Needless
to say there is plenty to explore on a whirlwind of an album with
some exquisite musical and lyrical moments. I urge you to seek out
'King of Missouri' at your earliest opportunity.