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THE CLING

SOMNUS
SOMNUS

TIDAL FLOOD

 

THE CLING - Just In Time EP

They're being touted round some houses as the next big thing, but those of us with memories from the days before Big Brother will recall their 1998ish release, "Mucho Dineros", when they were being touted as the next big thing.

So has much changed in the last 4 years. Well, yes, the comparisons to Gene and Strangelove can be removed, as there's little point in impersonating yesterdays men, and in its place, an odd melange of new wave influences, and a peculairly English skewed look at what funk might sound like, when played by skinny white boys.

And it's rather good. Especially when the influences come together to form something new as it does on "Falling Down", with its cry of "In my dreams a plastic mouth breathes for me, speaks my lines"

In a world of mediocrity, it's refreshing to see someone trying to reinvent the wheel. And even better, you cave it all for free by heading off to their web site. Enjoy

www.thecling.com
thecling@nme.com


SOMNUS - Through Creation's End (Root Of All Evil)

When "Awakening The Crown" came out, we said 'Overall, a REMARKABLY good album that breathes life into a somewhat tired genre.' And it was.

Now, a couple of line up changes later, Somnus have returned. And, lo, it is still good. There haven't been any huge leaps forward creatively, but what you are left with is thoughtful, symphonic, gothic black metal. As much keyboard driven, as guitar driven, it's the slanted approach that Somnus take to their chosen genre, that makes it infinitely more worthwhile than most.

Somnus have taken the time to arrange their music properly, and when they hit 100% as they do on "The Deceiver", they take some beating. If you're looking for that handy peg to hang this CD on, there are hints of early Cradle of Filth, but panic ye not. 'Tis much better than that, and without the irritating singer. As borderline black metal goes, this is very good, and the combination male/female vocals give things an interesting lift. Highly recommended.

http://somnusmusic.com/index2.html
http://www.rootofallevil.com/


TIDAL FLOOD - Scientific

We got quite moist over the Tidal Flood demo a year or so back, and here's the first 'real' ceedee. Worth the tissues? Oh, yes!

The two Greek Georges have nailed their spacetrance flag firmly to the mast and from "7Tide" onwards, there was a plague of happy bunnies in Castle Zeitgeist.

Taking the clasic Ozrics template but refining it through their own cultural reference points, there are moments when they remind you of Ole Lukkoye, but Tidal Flood resolutely remain 'now', referencing classic space rock, but without being in thrall. And when they attempt to take things to a new and different level, as on "Raft Dub 01", when they let the trance kick in to great effect, you realise there's still places for an old genre to go. A must have item.

A soon to be released CD at The Rocker

http://www.tidalflood.com

Many thanks to Tim and Terr-B at Stone Premonitions. You're spoiling me!

TIDAL FLOOD - Scientific" (Review 2)

Thanks once again to Terri B for drawing my attention to this highly talented Greek band whose 7 minute 'Tidal Mew' was featured in the July 14 edition of Alchemical Radio (www.aural-innovations.com)
'Tidal Mew' the longest track on the 5 track EP 'Scientific' has all the quality of a classic Ozric Tentacles track- the swirly synths, the fluid guitar break by George Stavroulakis and let's not forget some funky fretless bass from George Karras- you know the script!
It's incredible what Tidal Flood pack into a mere 3 minutes 26 seconds on the opening track '7Tide', mesmerising guitar and synth variations with changes of tempo about ½ way through and near the end. 'Raff Dub '01' is dominated by 'voices' and those bubbling synths again- there is some rather disconcerting 'static' 2:20 that leads to another theme and next we come to a favourite of mine on this album- 'The Mahaya Puzzle', the jazziest track with Fripp and Holdsworth influences evident in the guitar work. The jazz direction continues on the last track 'Helium', dedicated presumably to ex band member, drummer Helium Polites who helps out with the composition on this one (and on 'Tidal Mew')
If you want to remind yourself what analogue oscillators sound like this is the best place to do it- and the art work's pretty neat as well!
Recommended.

A soon to be released CD at The Rocker

http://www.tidalflood.com

(Phil Jackson) musician and reviewer

 

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