The Rocker
New releases from; Superczar - Pop Art Various - Further Adventures of the Telepathic
Explorers When's The Future - Then
And many more....
New Reviews
Symphony In Demeanor - same
Ever wondered what mid period Pink Floyd would have sounded like
if you added in some Badfinger harmonies and a Jefferson Airplane
cover version? What do you mean no? Some kind of spacerock fan you
are.
The above should have had you clicking on the link a bit sharpish,
for this is an absolutely delightful mini album, chock full of Caravan
type melodies, fluid guitars and adventurous songwriting, all without
straying too far from a mid seventies vibe.
Thet rattle through six tracks in 20 minutes, each one a pealr,
worth repeated plays. Opener, "Lonely Fool" is probably
the shiniest of them all, all Blind Dog At St Dunstans mixed with
the Electric Light Orchestra, absolutely fabulous. A close runner
up is "Crazy Man", both a song of hope and despair all
entwined together.
There is no excuse for not buying this as they're virtually giving
it away. Which is a clever way of saying you can download the entire
thing for free (and cover art) or pay them a nominal 4 bucks for
a CD version. Go, now
Lenny Solomon - Transparency
It's not often that the jazz violon takes prominence in the 21st
century, but Lenny Solomon does his best to make a case for the
defence with this excellent release.
It's another run through some standards with a new and self penned
numbers taking their place, ending up with an inspired number called
"Paganini Blues", a remarkable arrangement of a Paganini
piece. Elsewhere, "I Got Rhythm" by george Gershwin and
"The Nearness Of You" by Hoagy Carmichael are the aces
in the pack.
Lenny displays an extraordinary dexterity to produce sounds from
his violin that defy expectations and ably assisted by Pat Collins
on bass, Geoff Young on guitar, Phil Dwyer on piano, Barry Romberg
on bass, and Wendy Solomon on cello, produces a piece of work that
stands out from the crowd.
Lotus - People On TV
A mini EP consisting of three tracks - it starts off funky and uplifting,
they have a quirky style but it's a bit bland on the vocals and
the lyrics lack imagination. Quite raw qualities coming out and
it sounds a bit like it was recorded in a bathroom. Lots of happy
chirpy sounds with a cheesy electro indie feel to them. Second song
'The Hypnotist' has a Madness' feel to it but not as Ska as their
earlier stuff, lots of long drawn out lyrics with some Tim Burgess
style whineyness going on. There's definitely an early 90's Shed
7, Cast aura about it all. It's not very original or inspiring really,
it all ends with a jazzed up country number - quite non descript
and a bit like an erratic hoe down. It's not a bad little compilation,
but all the same it's nothing special either.
Katey J
Nothing To Declare - Stuck On Repeat
Straight into it, no messing!! It's a very bassy mix with some
interesting vocals. Echoes in the air was a good choice of first
track it sounds a little bit like Span. The whole thing just kind
of rolls along nicely and gathers momentum as you move onto the
next song. They show their softer underbelly with a Smashing Pumpkins
easy listening little number. Some tracks were smoother flowing
than others; the guitar was a bit jumpy and erratic like the player
of said instrument was having a sneezing fit, despite that it's
still easy on the ear. As the songs moved on the style became grungier
and had a filthier edge to it, there were some Eddie Vedder elements
happening vocally also in places the songs just seemed to drag on
longer than necessary and lost it a bit. The last track swings towards
heavier old school rock, then half way through it flips back over
to grunge which was a rather interesting concept. An average CD,
it doesn't stand out but it's ok.
Katey J
Halfahalo - The Thrashing Floor
An interesting one, but nothing too out of the ordinary, Halfahalo
are going for a late period Queens Of The Stone Age vibe, offset
with a slight nu-metal sensibility. They've also chucked in some
Linkin Park twin vocals to try and cover every base.
Now don't get me wrong. This isn't bad, just not overly captivating.
The vocals are a love / hate element, the wigger rap sections are
OK, and the guitars are truly excellent. When it all comes together,
as on "The King & I", it's utterly fabulous. When
it falls apart ("Losing Sound"), then it's time to hit
the fast forward button.
Oddly enough, chief bottle washer, singer and songwriter, Dave
Thompson has spent a fair amount of time remixing the likes of Janet
Jackson, Britney Spears and Justin Timberlake, so the lack of a
pop hook is intriguing. Maybe it's a delibarate step away, but commercial
rock radio likes a hook. The one exception is "Outstretch"
which has 'radio play' stamped all over it. Elsewhere, there are
plenty of moments to get the post grunge fans grooving, but maybe
I was expecting too much. Lyrically, it's a good place with plenty
of depth, and with 3 of the 6 tracks bearing repeated play, it's
worth a listen.
Unfortunately, the band seem to be having some kind of trouble,
as they are on hiatus. A bit of a shame, as there was promise.
Lassie Casserole - The Vale 21/10/04
What a wicked name, but did they live up to it????? Erm well yeah
they did actually! Their style was noting like expected, very Audioslave,
they look like they are going to be much heavier, their style has
twangs of early Soundgarden and also some elements of Alterbridge
flowing through it. Really high quality sounds with good vocals,
it was a well-paced steady set. Mainstream grunge was definitely
the order of the night, there were a few appreciative facial expressions
going on, they weren't exceptional but they were great all the same.
The highlight of the night had to be their take on ghostbusters,
yup grunge ghostbusters - fanbloodytastic, there were a few bouncing
crowd members for that one "its brilliant". They also
did a brand new song, very Nirvana in the intro, which then progressed
into something heavier than previous tracks, it was good although
the vocals were too low in places. Another new song had a very old
punk feel to it compared the preceding songs. To sum up - they were
strong lyrically, "Audioslave with less pompousness",
they were up for a laugh and didn't take themselves too seriously,
a good band to have as a headliner. If this style floats your boat
then Lassie Casserole are a must see.