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Zeitgeist
- Reflections Of The Underground
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LYNYRD
SKYNYRD, FREYA, DARKEST HOUR, LAYNE, FARB TONE
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LYNYRD SKYNYRD - Thyrty (3oth Anniversary
Collection)
Well, they put on the best live show I've seen in 15
years, they released a fantastic new CD, their finest
in 25 years, so naturally it's time for another record
company collection.
At least this time it is truly representative, encompassing
old and new record labels, with a sprinkling of rare
(but not unreleased) material. Things might get confusing
for the oldtimers amongst scanning the tracklisting,
as a fair number of the live tracks on CD2 are first
generation Skynyrd tracks performed by the reformation
line up, but we'll let that slide. I suspect the band
have had little input, otherwise that might have ben
a tad different. At least it comes right up to date
with a track form this years classic "Vicious Cycle"
closing the set.

Should you buy it? I'd rather you bought the new release,
it is a modern southern classic. But this is probably
the best of the many, many, many compilations on the
go. The 30 tracks almost make up for the unimaginative
sleeve notes, but how can you not have "On The
Hunt" here. Skynyrds finest moment is sadly lacking.
And old fans should note that 10 of the 20 tracks are
Johnny not Ronnie Van Zant vocals. I'm more than happy
to howl along with Johnny and remember that hot summer
night when the band turned a corner of Scotland a litlle
bit Dixie.
FREYA / DARKEST HOUR – split sampler
A 4 track (2 tracks each) promo from Victory Records
highlighting the Freya album “As The Last Light Drains”
and the Darkest Hour release “Hidden Hands Of A Sadist
Nation”.
Freya are a melodic offshoot of hardcore veterans Earth
Crisis. As well as throwing off the brutality they’ve
also ditched the political element. Which either makes
them sell-outs or people in touch with their humanity.
Either way, the two tracks on offer are excellent examples
of melodic hardcore.
Darkest Hour have been on the go for ages beavering
away with their Gothenburg-style Swedish death metal.
So it makes sense for them to invite a who’s who along
to their latest recording. “Hidden Hands of a Sadist
Nation" includes performances by Tomas Lindberg
(At The Gates), Peter Wichers (Soilwork), Anders Bjorler
(The Haunted), and Marcus Suneson
(The Crown). Which is nice. This is intense, brutal
heavy metal, from
start to finish, the way it’s supposed to be. You should
buy this.
CALMUS ENSEMBLE - FARB TONE
A sideways step for us here at Zeitgeist Towers, the
Calmus Ensemble was founded in 1999 by
five former members of the St. Thomas Boys Choir, and
now offers the apparently unique combination of a pure
soprano voice (Anja Lipfert) with five male voices ranging
from bass to countertenor. Which I'm sure means a lot
to people who know about that sort of thing. All I know
is it sounds splendid.
Not confining themselves to music by dead blokes, the
harmonised voices of the Calmus Ensemble cover a wide
range of vocal music, including works by contemporary
composers such as Fredo Jung (‘The Year in Song’), Andre
Asriel and Ludwig Bohme. They also hark back to the
aforementioned dead blokes including Robert Schumann
(‘Toothache’, part of his Five Songs by Robert Burns),
Mendelssohn (‘Water Journey’), Brahms (‘To The Homeland’
and ‘Nightwatch), Schubert (‘Alder King’) and Hugo Distler
(‘The Fire-Rider). Excellent and unusual
LAYNE – 3 track demo
As you can probably guess, Layne are a grunge band who
quite readily admit "Hi, we are a grunge band from
around Newcastle." Now grunge may have been responsible
for moody, ugly blokes somehow becoming interesting
to attractive young women, and for that should be castigated
endlessly. But now that the movement has justifiably
died, it's probably safe to admit that the odd good
record sneaked out courtesy of Alice In Chains and the
Stone Temple Pilots.
Fortunately for us, 3 piece mononomenclatured Layne
(Rory - Guitar, Vocals, Matt - Drums and Danny - Bass)
have picked up on the good melodic bits and ignored
the pap (pap=Nirvana). They avoid the self proclaimed
worthiness of dullards like Pearl Jam and instead concentrate
on down tuning their guitars and singing catchy choons.
Which is as it should be. Along with growing their hair
and looking scruffy. Very promising.
http://www.layne.org.uk/
Pounding The World Like A Battering Ram - Rapid
Fire Singles Roundup
TEXAS return with a dull ballad, "I'll
See It Through",
courtesy
of the writer of Robbie Williams "Angels".
Almost worth buying for the laughable cover of the Buzzcocks
"What Do I Get". At least Sharleen has ditched
the bad haircut and looks fine in the video. ALICIA
KEYS also reappears with "You Don't Know
My Name"
coupled with yet another version of "Fallin'",
just in case the punters don't like the new one. However,
you can't go far wrong when you're sampling The Main
Ingredients "Let Me Prove My Love To You".
Sweet, sultry and sexy. Fact fans - the original was
sung by Cuba Gooding, yup Jrs dad. Voted least likely
to release a Xmas record, THE RAVEONETTES
have just done that, as "Heartbreak Stroll"
is coupled with their very own "The Christmas Song".
Here's another fact. The Raveonettes had a set of rules
when it came to creating material. These rules consisted
of making an album entirely in Bb minor, surrounded
by only three chords, and each song had to be less than
three minutes long. Which is why everything they do
sounds like one of the Jesus & Mary Chains lesser
moments. EVANESCENCE are not a goth
band. Which is why they release goth sounding tunes
with gothic videos, gothic sleeve imagery and gothic
themes like "My Immortal".
It's one of the better moments from the album, and the
remix has the guitars virtually mixed out of the song
altogether. Strange, but remember, it's not goth.
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