The Rocker
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New Reviews
Bronze - A Common Prayer
I was impressed by the songwriting and the atmosphere created on
the 2002 release ‘The Statue in the Stone’ and I am
pleased to say that Newcastle’s Bronze are back with, if anything,
an even more polished record.
Paul Handyside’s piano on the poignant opening song ‘Weight
of the World’ would melt anyone’s heart while the first
of two ‘ballads’ ‘Step Lightly’ with its
delicious acoustic guitar and John France’s pedal steel (wrongly
credited as track 2) is probably for me the outstanding song on
the album. It reminded me in a curious kind of way of Buffy St Marie’s
‘The Big Ones Get Away’. In between those two is another
strong song ‘Right Time’ giving a hint of psychedelia
with its jangly guitars. Add some incisive lyrics to the mix- Paul
Handyside’s imploring ‘Good has Gone’ is a good
example and a high level of intensity and flow and you have a very
coherent musical statement that will keep invading your consciousness
long after it’s left your CD tray. ‘Can’t Laugh’
is appropriately given the gut wrenching subject matter the heaviest
moment. In contrast ‘Lonesome Touch’ has a light folky
feel, a charming song. Pedal steel opens ‘Grey October’,
another soul searching song in a style that could be a slice of
prime alternative country.
The penultimate track returns to a more upbeat, jingly jangly format,
very Tom Pettyish while ‘This Paradise’ is, for me,
the big surprise, the longest piece of music I’ve heard from
Bronze clocking in at nearly seven minutes and maybe their defining
moment with its haunting guitar arpeggios not a million miles from
the vintage Fishless Marillion of ‘Brave’ or ‘Marbles’.
The final frenzy is exquisite, an astounding way to end a memorable
album.
‘A Common Prayer’ is an essential listen- intense,
insightful and ultimately accessible.
Jet - Cold Hard Bitch
Fan as I am, I couldn't wait for the UK release, so grabbed a hold
of the Australian version. Which is certainly worth it as there
are no less than 5 tracks on offer.
The lead track is the latest hard driving boogie beast from Jet
which will have rock clubs across the land frugging away merrily.
They also tackle a couple of cover versions, the first being the
stone cold classic, 'Ain't That A Lotta Love' by Homer Banks. If
you don't own the original deep fried soul version, then go get
it now.
They also tackle an Aussie classic from the sixties which will
mean doodly squat to the rest of the world, unless you happened
to go see the 2002 movie 'Dirty Deeds', in which case you will be
familar with 'Everlovin' Man' by The Loved Ones. A number 2 hit
from 1966, fact fans.
The only downer is the obligatory ballad, 'You Don't Look The Same'
which sucks. Big time. Odd how when they riff it up they're the
natural successors to AC/DC yet when they calm down (calm down),
they sound like Oasis. Which is a bad thing. Things round off with
a live crack at 'Cold Hard Bitch' which takes us back to enjoying
ourselves. fabulous.
Helicopter Girl - Angel City
Many critics thought that 2000’s ‘How To Steal The World’
should have won the Mercury Music Prize, yet it seemed to slip through
the cracks. WHich was a scandal and a disgrace, as it was a tremendous
amalgamation of trip-hop and soul.
2004 sees Helicopter Girl (Joyce to her mum) back with a new album,
‘Voodoo Chic’, for which this is the teaser. It is a
straight continuation of the previous album, with some healthy jazz
undertones from the Scots born singer.
The lazy comparisons are Björk, Alison Goldfrapp and Portishead's
Beth Gibbons, with the latter being closest in mood, but this single
is a beautiful, lazy, sumer pop idyll, worth enjoying for its own
reasons.
Clayhill - Cuban Green
I was going to say that I had the pleasure of seeing Clayhill perform
live when they supported Kathryn Williams on her last tour. But
as I was working for her PR at the time, it's more accurate to say
that I heard them live, as I was never actually in the hall at the
time they were playing. However, they interested me enough to grab
a hold of this mini album. For they, and it, are good.
If I was being cruel I would be placing them in the same category
as no-hopers like Elbow and Coldplay, as they do share a similar,
laid back yet intensely emotional approach to their craft. But unlike
said no marks, they know how to write a great song without going
all histrionic, 'look at me wave my arms' on us.
And if you need any other reason to buy this, then hear this. The
singer in Clayhill is none other than ex-Sunhouse vocalist Gavin
Clark, whose "Crazy On The Weekend" remains one of the
lost classics of the last ten years. If I'd known it was him at
the time, I'd have been rushing the stage in an idiotic surge of
fandom (probably breaking something vital in Mr Clark - I'm a big
guy. His eerie, atmospheric, desolate vocals are awe inspiring and
coupled with songs of this quality, amke a grown man go weak at
the knees.
There are a mere six songs on "Cuban Green", but that's
what the repeat button is for, and you will use it. Ted Barnes,
Ali Friend and Gavin Clark have created a mini masterpiece, and
if they come close to this on their forthcoming debut full-length
album, it will be one of the highlights of this, or any other year.
Renee Doruyter - Hooked on Romance
Dutch born, Canadian based, Renee Doruyter lists her influences
as Ella Fitzgerald, Sarah Vaughn, Anita O'Day, Frank Sinatra, Nina
Simone, Carmen McRaye, Billie Holiday, Miles Davis and others. Which
gives you an idea of the smoky, late night mood she is seeking to
create with this CD of love songs.
And her love of the music certainly shines through on this album
split evenly between standards and original material by Doruyter,
pianist Miles Black and bass player Rick Kilburn. It is a tribute
to the self penned songs that they stand shoulder to shoulder with
classics like "Indian Summer" and Cole Porters' "Just
One Of Those Things".
There is one track that is truly outstanding and that track is
"East Of The Sun", written by Brooks Bowman and recorded
by Tommy Dorsey back in 1940. This version takes an alternative,
almost fusion approach to the song, with a prominent flute part
from Tom Keenlyside. Elsewhere, "Touched By Love" (one
of the original songs) totally draws you into the mood with an understated
arrangement. my favourite, however, is the bubbling version of "Robbin's
Nest", which harks back to the Illinois Jacquet original rather
than the better known Gil Evans arrangement for Claude Thornhill.
An exceptionally good album, this features exceptional performances
from the boys in the band - Miles Black (piano), Rick Kilburn (bass),
Keith Copeland (drums), Mike Rudd (guitar), Tom Keenlyside (flutes
and soprano sax), Campbell Ryga (alto sax), Jack Duncan (percussion)
- and is a worthy addition to any collection.
Moby & Public Enemy - Make Love
Fuck War
I must be getting old. When I were a lad, a record as vital and
bombastic as this would have been lauded from here to eternity.
But with Public Enemy languishing as footnotes in the hip hop book
they wrote, while vacuous no marks like Fiddy Cent make headlines,
it's not really surprising
It's also been a long time since Moby was even remotely interesting,
but this one off anti war call to arms(!) is fabulous. OK, it's
old school beats, but they were good the first time, and it's also
good to hear Chuck D declaiming like it was 1988. But I'm sure you'll
be rushing out to buy the new D12 single instead of this. What was
that about Nero and Rome burning? Fools.