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New Reviews
Jaiya - Firedance: Songs For Winter
Solstice

I don't really understand the countryside. There's too much of it,
crying out for concrete, and deep down, I just know the locals get
up to all sorts of deviant countryside practices when I'm not looking.
Which leaves me ill equipped to deal with an album that stresses
the importance of living fully by remaining grounded in the natural
rhythms of the earth. Now if that involves burning goths in a large
wicker pyre, I'm there, but I supsect not.
Having said that, there is still a lot to enjoy here for a city
boy. The three musicians responsible - Miranda Brown, Lael Whitehead
and Kim Darwin - have a fine grasp on Celtic, folk and new age music,
with a good mixture of new and traditional compositions.
Granted, I was left with an urgent desire to inhale some petrol
fumes but I'm confident anyone with an actual soul will find this
a warm and intoxicating brew.

Chad Bradford - Dollar Short
It takes a brave country singer to sample 'that' sequence from "Deliverance",
so here's hoping it's irony. If not, then I'm really, really scared.
So it's probably a very good thing (for my wellbeing) that this
is an excellent release. Chad has a warm, rich voice that draws
you into the everyday stories of love, life (and pigs) he wants
to tell you.
He's working in the mainstream milieu of modern country - glossy
enough for radio, a hint of twang for the traditionalists - and
I can think of no reason why he shouldn't make it. There are some
delightful songs on offer with my personal favourite being "She
Disappears", "Trade Every Dollar" and "Rosalyna".
Definitely one to watch out for, this was a treat.

Gayle Cloud - Second Chance

The word sultry was probably invented to describe the voice of
Galyle Cloud, who began her performing life as a jazz singer based
in Paris before discovering the rhythms of African music and channeling
it into her own delicate compositions. However, the music stays
rooted in traditional, Western melodies, drifting into the words
of ethereal Celtic music and dark Leonard Cohen type styles.
Most of the songs are based on affairs of the heart with "Courage
To Love" and "Naked Heart" the best of the bunch.
The former, especially, asks a question most people are too scared
to say out loud.
This is a delightful, generally introspective release, more pop
than jazz, more jazz than world, with only a couple of tracks missing
the mark. Give it a try.

Todd Stephen - Heartache Son

First things first. Todd Stephen is a damn good songwriter. Across
the ten tracks on this eleven track CD, there's maybe half a dozen
songs with enough melody, pathos and panache to soothe even the
most savage beast.
"One More Day", "Heartache Son", "Just
Friends", "Stay The Same", "Live Without"
and "Left With Nothing" beg for repeated plays. If you
have a yen for the roots rock singer songwriters that only America
seems to generate, then you'll love them.
But I was left slightly deflated as the songs deserved a better
presentation and production. Now it is not really Todds fault. After
all, this is a truly independant release, but I just wish someone
would come along and throw a decent production at the songs.
Hopefully, Mr/Mrs Bigbucks will come along thinking exactly the
same thing as me, and the next time I encounter Todd will be when
his name appears on the closing credits to US teen angst TV show
with a Top 10 album just around the corner.

Noella Choi - Restless

My oh my! Don't worry, I'm not about to burst into a karaoke version
of an old Sad Cafe song, even if it is a classic. No, I'm actually
bursting with excitement at the talent that is Noella Choi. Of course,
I say excitement, for that was the barely discernible twitch that
only seasoned Zeitgeist watchers would be able to identify as excitement.
Anyway, back to Miss Choi. The Chinese / Canadian singer / songwriter
may be in the first flush of youth, but she's worked hard at her
craft, earning a crust scoring for TV before putting together this
set of contemporary adult pop, very much in the vein of mid-period
Jewel.
Most of the songs concern the usual fare of lifes struggles, love
and loss, but Miss Choi lifts them up with memorable melodies and
hooks which manage the remarkable trick of sounding like old friends
on first listen.
A couple of songs have slipped through quality control but that
leaves 9 good 'uns, expertly composed, produced and arranged by
Noella. It's hard to pick favourites but if pushed I'd go for "Crossroads"
and the weary "Heartbeat".

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