THE
PSYCHEDELIC BREAKFAST - EP
One
of the bands that are making waves in the underground
circuit, they're not afraid to experiment, chucking in
saxophone, flute, piccolo, didgeridoo and accordion, when
the mood takes them, coming on like a crazed Gomez (the
band not Addams Family member although.....).
"Chemical
Youth" is a bona fide classic, all psych rock with
fluid guitars and melodies galore. There's shades of Cornwall
stoners despite their NE location, and if this three tracker
is anything to go by, then the scribes have scrivven right.
BRONZE
- "The Statue in the Stone"
Bronze
are Paul Handyside, vocalist, songwriter, guitarist and
Wurlitzer electric piano, Rob Tickell on bass, Ade Evans
on drums, both adding backing vocals.
The opener 'Let It Rain' is an excellent song like Graham
Parker and The rumour at their best and the kind of track
that could easily grace the 'indie' charts, not that all
that nonsense really matters.
'Presence of Greatness' continues the winning formula
of knockout choruses and reminds us once again what a
debt we owe to the 'jingly jangly' pioneers, The Byrds.
The title track itself has been attracting attention among
other reviewers although I don't think it's particularly
representative of the album, good though it is, reminding
me of The Jam and more of 'punk' than of 'new wave'.
The song writing is consistently brilliant throughout
the 12 track CD as one track flows seamlessly to the next,
songs like 'Motel Of Love' and the anthemic 'Feel It Now'
having a cosy familiarity to them.
The longest track 'Time Won't Set You Free' (4:55) closes
the album and has a sixties feel to it- this is the sort
of song that THE Creation band Ride (Sorry I keep going
about this!) would have been proud to be associated with.
I can pay no greater tribute- listen to 'Carnival of Light'
and I hope you'll hear what I mean!
My only reservation (and it's very slight) is that I would
have liked to heave heard more expansion of the songs
like the final track and the excellent Beatlish ending
to 'Pilot to Your Plane' (That could have gone on for
ever in my book!)
Thanks to Tim and Terri~B for drawing Bronze to my attention.

(The Bus Stop Label BUS1026)
CENTRIC JONES - "Phase Rotator Retard"
Think
a little early Yes (the brilliantly inventive 'Let Go
Your Course'), a little early Camel ('Apollo 1620' and
'Slingshot') and maybe a little early Genesis (at various
places in the album) and then, if you are familiar with
the classic progressive rock music of Fonya think of that
and not of those illustrious predecessors I mentioned.
For Centric Jones is none other than Chris Fournier, bass
player also revealed as a guitarist of some aplomb on
the memorable 5 minute title track (albeit some of the
guitar sounds keyboard generated!) The arrangement on
the beautiful ballad 'Island in the Sky' is also a real
ear catcher with a 'harmonica' sounds and some male 'voices'
adding just the right atmosphere to the acoustic guitar
melody. In fact the quality of the music is consistent
over the 55 minutes and 11 tracks and the 'unplugged'
reprise of the title track is a nice touch at the end.
Let's go back to the beginning though and two rhythmically
dynamic openers taking the symphonic route with synth
'fanfares', soft 'flutes' and 'voices' and enough variation
in the guitar and bass to keep the most avid progressive
rock fan well occupied! 'New Dawn' marks the first appearance
of vocalist Dale Degen- his contribution here is actually
more 'monastic chant' than singing, just right for this
track- the organ early on reminds me of Hugh Banton and
there's nice interplay between organ and guitar throughout
a very interesting 2:40. The music rewards repeated listening
as, gradually, the onion is peeled (Sorry about the analogy-
it's the best I can think of at short notice!)
Centric Jones captures the pioneering spirit of early
70s progressive rock music perfectly and 'Phase Rotator
Retard' goes down in my book as one of the most significant
releases of 2002.
(Phil
Jackson)