Blimey! That rocked my world for three minutes. Which is a very,
very good thing.
‘If you were Jesus, would you come back here?’ is the
question. And as someone who was there in the beginning I would
say not. But, thanks for asking. It's certainly a cracking, stomping
old fashioned rock track with the stamp of Who like greatness all
over it.
T'other tracks aren't even close with "One Look Back"
being a mid nineties post Britpop plodder, although "Star"
does try and raise the game again, although it does have the smell
of Gallagher about it. However, most of pass our mundane lives without
even a hint of greatness about us, so The Cutters have done better
than we can ever dream about.
Buzz Carlton - Blame It
On The Blues
Well it is kind of the blues in an Asleep At The Wheel kind of way,
with more than a touch of Western swing about it, especially the
lead track on this EP, "That's A Lot". That particular
song is the real gem here, and well worth repeated plays.
The title track, "Blame It On The Blues", is a fairly
standard blues ballad, but good enough, before we're hit with "Freedom
Of Speech". Clyde Gordon Carlton Jr. (as he's known at home)
wrote this in the wake of 9/11, and as with most tracks of its ilk,
it makes no sense. Apparently, in the land of the free, they should
all be locked up in the slammer. Which is surely the opposite of
free? Largely spoken word over a truly excellent psychedelic blues
riff, it had me reaching for track one sharpish.
Pioneers - Out of Here
Well, it's not a good start, in my book, if Starsailor take a shine
to you, and take you out on tour. Especially, when they do it more
than once. But seeing as how their label helped out Stephen Fretwell
in his early days, I took the chance of them lacking cloth ears
and popped this into the ceedee player.
And yes, they're doing the big, anthemic power ballad thing, like
so (so) many others, but this lot are actually good at it! I'd be
giving a big shout out to the singer, who has a raw edge to this
voice that lifts the song from the potential mire inhabited by Athlete,
and also the lead guitarist, who does a fine line in spiralling
lead lines, but the press release, band website and label website
don't seem to bother with fripperies like naming the band.
Which could mean it's a pseudonym for some godawful band like Embrace,
and I'm making a fool of myself by liking it, but my credibility
went out the window on the glorious day that "Cherry Pie"
by Warrant was released and, frankly, I've been better off without
it.
Yes, things get a bit samey over the six tracks on this mini album
/ maxi single thing, and over a full album, they'd need to stir
it up a bit, but when you have as good a song as "All I Ever
Wanted" to play with, who cares. Just make sure to bring a
large supply of lighters to their next gig.
Joe Bourne and the Gary Moran Trio
- Remembering Mr. Cole
Well there's no faffing about here - as you will have surmised from
the title, this is a tribute to Nat 'King' Cole from Joe Bourne
and the Gary Moran Trio. Taking on 16 tunes associated with Nat
'King' Col using the same instrumentation as the original 'King'
Cole trio.
Now that may seem like a safe bet, but it's actually a hige risk.
After all, get it wrong and you're going to be on the receiving
end of some serious stick. But Joe Bourne has taken to his task
admirably, digging some lesser known material from the vaults to
sit alongside the classics, and with the sympathetic arrangements
and backing to go with his rich voice, come up trumps.
He's also went for a lot of up tempo material which casual listeners
may not be aware of, with a lot of the pop hits of the day having
been from Cole the balladeer. Granted, there's nothing new or original
here - it is an out and out tribute - but who cares when the music
is classic and the performances match. There are even a couple of
songs here which were new to me, with "The Best Man" being
a particular treat.
Various Artists - Brazilia
A 26 track, 2CD compilation of Brazilian beats may sound like a
bit much, but it's quite irresistible on a cold winters night. Part
of a series of compilations put out by APace Music, this is by far
the best of the bunch.
It's an excellent set which is constantly entertaining and a delight
to listen to. There are some by rote tracks here, but the vast majority
more than pass muster with my particular favourite being "Latin
Dancer" [Deep Mix] by LaMalange.
Elsewhere, you'll find gems from Thievery Corporation featuring
Patrick De Santos with "Sol Tapado", "Come Away With
Me" by Ezekius and "Fatback" by Brazilfunk drop dead
fabulous.
So, batten down the hatches, ignore the weather and have your own
fiesta in the comfort of your own home.
Suzanne Samford — Lonely Charade
After listening to this highly enjoyable, yet madly schizophrenic
I wasn;t surprised to read that Suzanne has opened for Tori Amos
in her time. For this is an album that jumps from rap metal to Corrs
type ballads to grunge influenced indie rock, without a care for
the falsely imposed genre restrictions so beloved of the music business.
A classically trained vocalist, Suzanne has taken to the rock medium
lke a duck to water with an eclectic, yet always enjoyable set of
songs. Her voice is always a pleasure to listen to, and even though
the eclecticism can take you by surprise, there's always a hook
lurking ther to keep you listening.
Some of the songs are commercial enough to cut it on radio and
when she hits the mark as she does on "You Feel Nothing"
and "Easier To Run Away" amongst others, there's no reason
to believe she couldn't have a long and interesting career ahead
of her.