STRAY
- "Live: In Yer Face"
A
very appropriate name for an album by Stray, a very loud
and very heavy guitar/ bass and drums band. In fact on
one of their web sites the fans' forum are discussing
the loudest bands they've ever heard and Stray are right
up there with the most raucous of them- Iron Maiden or
Deep Purple anyone?
Having been deafened a few times in the past I prefer
these days to control the listening volume myself and
was pleasantly surprised by what I heard on this live
album.
Stray had a few teenage years still to run when they released
their first self-titled album in 1970 on the Transatlantic
label (until then associated mostly with folk music!)-
they did not exactly become household names but did have
a loyal and committed following as evidenced on this gig
recorded at the robin Hood R 'n' B Club in the West Midlands
of England in January, 2002.
They start the gig with a 10 minute medley of 5 songs,
classic heavy rock with some cracking riffs from guitarist
Del Bromham aided and abetted by a solid rhythm section
(sorry no names given on the sleeve and I've mislaid the
press release).
'After the Storm' from 1971's 'Saturday Morning Pictures'
has more of a blues feel and brings to mind contemporaries
like Rory Gallagher with more than a tip of the hat to
Hendrix!
Stray prove they are not mere bluster and have a social
conscience in the track 'Earth' (one of 5 cuts taken from
their last studio album '10') - the thoughtful lyrics
on 'Years?' also reveal a mellow side not always obvious
from the uncompromising musical approach- in fact one
of their web sites reprints the lyrics to their songs-
well worth checking out!
So far, so good but the highlight of the show for me is
the powerful and passionate rendering of 'I Believe It'.
The set ends with as good an example of Bromham's virtuosic
guitar ability as you're likely to hear as the band tear
through the title track from 1971's 'Suicide'.
It sounds like a great night was had by all even if the
years have apparently nor produced any let up on the volume!
Recommended for 'eadbangers' everywhere.
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(Mystic Records MYS CD 160)
(Reviewed
by Phil Jackson)
THE RICK RAY BAND - "Into the Hands of Sinners"
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After
a quieter year, release wise, in 2002, Rick Ray is back
with for his first recording of 2003. And this time it's
the Rick Ray Band- not Riot Act although Riot Act's John
Cek does play drums and takes the vocal on 'Only Human'.
Reeds player Rick Shultz is there, of course, making his
appearance on the third track in 'You're Not Alone', a
number that neatly expresses Rick's deeply felt religious
beliefs and features another of those awesome Ray/ Schultz
'question and answer' sessions.
Phil Noch (who sang with Rick In Neurotic in the late
seventies) handles the vocals on the first two tracks,
the stunning opener 'Breakout' (just what this band can
do with a 12 bar structure needs to be heard to be believed!)
embellished nicely by some rare keyboard playing from
Rick Ray and the most overt manifestation so far of the
artist's admiration for Robin Trower, whom his band supported
last year. (I'm referring to 'Feel Like I'm Gone')
Gary Wood's bass playing (Dig the walking bass line on
'Supreme Court Jester', another blues/ jazz treat) and
vocals (a great job on the title track and the magnificent
short rocker 'Invisible Man') are a joy.
There is a change of mood with a touching instrumental
tribute by Rick to his wife Lori.
And yet to come is the stunning title track, the epitome
of everything that heavy rock should represent, a captivating
riff, marvellous soloing by Schultz and Ray and a great
'in yer face' Wood vocal of Hawkwind like intensity!
'The Road to Freedom' paints a fearsome picture of a world
where liberty has died and 'marshal law extends its claw',
a familiar theme in Rick's work and one delivered with
great intensity in a very satisfying piece of music that
tapped into west coast American influences I can't quite
place- or maybe my imagination is running riot- I just
felt this had a slightly different feel to a lot of Rick's
stuff. 'Lunatic Love', a great way to end the album, had
a similar feel probably down to Noch's distinctive vocal
style.
Working with a band again meant it took Rick 7 months
to put this CD together- the end product is definitely
worth it!
If you want a perfect production or sanitised rock this
is not for you but make no mistake- rock doesn't get any
more honest or any better than this! I'm tired of reading
reviewers who dismiss artists' attempts to be genuinely
original, uncompromising (true to their art in other words)
and challenging without really listening to the message
that is a musician's very essence. 'Nuff said! 'Into the
Hands of Sinners' is another essential listen from Rick
Ray.
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(Neurosis Records) Add
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(Reviewed by Phil Jackson)
Paradise Lost - Erased EP
I
don't know why I gave up on Paradise Lost. After all,
"One Second" was splendid, so I suspect it may
have been the relentlessly dull live performances that
drove me away, closely followed by the Mode whispers that
met their subsequent releases. So it was with no great
expectations that I popped their new EP into the ceedee
player.
But
blow me with a very large blowing device, if it isn't
absolutely splendid! "Erased" itslef is an absolute
classic which merges the finest gothic origins of PL,
mixed in with some 21st century production pyrotechnics,
then garnished with a slab of Cathedral vox courtesy of
Mr Lee Dorrian.
Of
the other 4 tracks (blimey, it's a mini Lp), "I Hate
You" is another bona fide mini masterpiece, and there's
not a duffer on offer. There's even a video and a making
og the video for those of you technologically enabled.
Their best in years, and thats without counting the bonus
points from the Strapping Young Lad cameo. Buy it now.